My 4Culture grant-funded full-length album "The Canary Collective: Vol 1" is my contribution to the dialogue amongst humans on this planet about who deserves to be able to afford healthcare, clean air, water, food, and shelter. It's me singing my sensitive soul song in the coal mine. I collaborated with other "womxn and queers" such as Luz Elena Mendoza of band Y La Bamba and Nataly Dawn of Pomplamoose to make a Cat Power and Sufjan Stevens-inspired collage of poetry, songs, and TED Talk quotes. I hope to continue to use my music and unique performance style to get people talking and singing about the ties between our healing bodies and our healing ecosystems on this planet.
lyrics
“This issue is much bigger than just my disease.
When I first got sick, old friends started reaching out to me and I soon found myself a part of a cohort of women in their late 20s whose bodies were falling apart. What was striking was just how much trouble we were having being taken seriously. I learned of one woman with scleroderma, an autoimmune connective tissue disease, who was told for years that it was all in her head…another woman with ovarian cancer who for years was told it was just early menopause… a friend from college whose brain tumor was misdiagnosed for years as anxiety.”
- Jen Brea, TED Talk
“Like odd numbers in your underwear drawer, the pain in your brain stem is political mediocrity, is food poisoning, is slipping on ice with no one around, wind knocked out of you.
No sleep.
No sleep.
I swear to God, if that sun comes any closer, I’ll make sure it knows how much I used to love it.” - Leland Chazen
“I became angry and clear, and what is more threatening than a woman who is angry and filled with clarity?
and what is more threatening than a woman who is angry and filled with clarity?
and what is more threatening than a woman who is angry and filled with clarity?”
- Tara Hardy
credits
from The Canary Collective: Vol 1,
released February 5, 2020
Music, Lyrics, Vocals, Banjo, Baritone Ukulele, Organ, Thigh slaps, Charango, Harpsichord, Synthesizer, Piano, some home recording by Kaeley Pruitt-Hamm Electric Guitar, Charango, Percussion (tambourine, shaker), Bass, Synthesizer, at home recording and arrangement assistance by Conor Whelan Drums by Christopher Icasiano Acoustic Guitar, Vocals, and Lyrics in Spanish Adapated from KPH's "Believe Her" by Luz Elena Mendoza on "Creer/Believe Her" Vocals on "One Sided Glass" by Nataly Dawn Cello by David Balatero
Recorded and mixed by Ryan Oxford at The Center for Light and Color Therapy in Portland, Oregon Mastered by Amy Dragon at Telegraph Mastering
Album Art and Design by Hannah Hamavid
Special thanks to King County 4Culture and my patrons on patreon.com/kph for helping fund the album
The Australian folk-pop singer tackles deconstruction, her Christian childhood, and sexuality on her infectious sophomore album. Bandcamp New & Notable Oct 14, 2023
On this debut by Maple Glider, a moniker of singer Tori Zietsch, acoustic guitar and piano chords back vignette-like songs. Bandcamp New & Notable Jun 25, 2021
The latest LP from Brigid Mae Power is gorgeous and ghostly, setting Power’s voice against soft brushes of guitar, piano, & shuffling drums. Bandcamp New & Notable Feb 17, 2018
A fascinating, appealing record no less “weird” than the rest of her oeuvre, but certainly the most weirdly versatile. Bandcamp Album of the Day Mar 25, 2022
Missouri singer/songwriter Lizzie Weber delivers a trio of songs lightly informed by country music, and fleshed out with strings. Bandcamp New & Notable Feb 6, 2021